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Published
by & © NetAuthor.org 2001
Robert Marcom, Publisher/Owner Rhonna Robbins-Sponaas, Editor-in-Chief Sabina Becker, Poetry Editor Keith Deshaies, Editor-at-Large Jason Nolan, Editor-at-Large Julia Brown, Staff Writer Dan Knestaut, Associate Moderator Walt Wellborn, Webmaster ISSN:1529-1146 |
Submission Guidelines
E2K publishes fiction, creative nonfiction, and poetry, but
is also interested in informative and instructional nonfiction articles
dealing with the craft and business of writing. We will, of course,
consider other works.
NetAuthor.org accepts articles dealing with the art, craft, philosophy
or business of writing, especially for the electronic market.
We accept published, as well as unpublished submissions. Please respect
your contractual agreements with your previous publisher. We do not
knowingly accept works in violation of your contractual agreements.
In all cases, query us before you submit. Net Author does not consider
unsolicited works. Your query should include a summary of the work,
a word count or estimated length, and a short biography.
Once your query has been accepted, include your submission
within the body of your e-mail. For security purposes, we do not accept
attachments. Be certain you proof and spell check your work. While we're
an electronic journal, that does not mean our standards are lower than
our print cousins; we expect your best work and our editorial staff
will accept no less. Be aware that all submissions are subject to editing
in order to meet those standards. Generally speaking, we will not make
those changes for you--we'll return the work with comments and suggestions
and leave it to you to make any necessary changes. As much as possible
given the limitations of time and personnel resources, we'll provide
a response to your work, regardless of whether it's accepted or not. Payment
Net Author pays $25usd per article, essay, or story, and $10usd per
poem upon publication. We offer payment via check (for writers who
are stateside), PayPal, Amazon gift certificate, or international
money order. (Overseas writers for whom these payment methods are
problematic may suggest an alternative which would work better with
their host country's financial system.)
Copyrights
We purchase the rights to publish your poem, article essay or story
one time in electronic format, and to make your work available in
our archives until we are notified to remove the work.
You may republish your work at any time, with no notice to us. We
will remove your work from our archives upon request.
Please query us FIRST. Be sure you specify length,
subject, or theme. Keep in mind that we have a strong interest in
articles dealing with writing both as a craft and as a business, especially
for the electronic market. Regardless of subject, we want clear, well
thought-out essays, and will consider virtually any approach: humorous;
philosophical; instructional; or analytical.
Submitting fiction
The length of the submission should be appropriate
to the piece. Longer works may be divided over more than one issue.
We accept most genres, with the exceptions of explicit erotica and
"fanfic," but keep in mind that our focus is on literary fiction.
Most of the guidelines for poetry also apply to fiction.
Submitting nonfiction and creative nonfiction
As with all other works, query us. Be sure you
specify length, subject, or theme. Keep in mind that we have
a strong interest in articles dealing with writing both as a craft
and as a business, especially for the electronic market. Regardless
of subject, we want clear, well thought-out essays, and will consider
virtually any approach: humorous; philosophical; instructional;
or analytical.
Submitting poetry poetry@netauthor.org
Note: While we accept previously published manuscripts, we
respect publishing contracts and copyrights. Please indicate in your
submission whether the work is unpublished, or has been previously
published. If it has been published prior to this submission, please
include the name and date of the publishing journal or company, and
what copyrights you released at that time.
We're looking for poems of a variety of styles; formal,
free verse, and prose poetry will all be considered. Haiku and haibun,
and other Zen-style poetry, are also welcome. There are no strict limitations
on subject matter, length or style; we'll consider everything, but we'll
only be buying one to three poems per month.
That said, there are some things we prefer NOT to see, and why:
Teenage Angst. We've all had it, even written about it--and outgrown
it. Unless you've got a fresh take on the issue, something that shows
growth and maturity, please remember what that great poet, Anonymous,
once said: "Those who write my memorabilia should disregard my juvenilia!"
Greeting-card verse. Send it to Hallmark, or Blue Mountain Arts.
They'll appreciate it more. They probably also pay better.
Long, windy epics. They're a real chore to read, especially on a
glaring screen. They make people's eyes go buggy. Be kind to your
readers. Concise verse takes as much craft as long poetry, if not
more.
Gratuitous anything--sex, violence, even sentimental references to
your dear grandma Jane or your dead dog Rover. We have nothing against
sensuality, conflict, or dead relatives or pets, but if it's just
being thrown in there to spice up a dull poem, take it out.
Pointless maundering. A good poem always has a point--and doesn't
waste time getting there. Have something of interest to say, rather
than a pretty way of saying nothing.
Excessive obfuscation. If your reader can't understand it, why write
it? Brilliance is great, but without clarity it's nothing. Poetry
is communication, not just an academic exercise.
Hate and bigotry. Remember, this site can be accessed from anywhere
in the world where there's a computer. And Those People may very well
be reading what we publish.
Preachiness. Found Jesus? Great. But this is not a pulpit. Spiritual
poetry is fine, but please consider the difference between spirituality
and religion.
Political propaganda--of any kind. While a poem can bear witness
to all kinds of events, it should be able to do so without an obvious
partisan slant. Focus on the event, rather than on your election platform.
Weird stuff for no reason. Experimental poetry is great, but the
experiment must be conducted with structure and for a purpose, not
just to see what happens when you throw words against a wall.
Anything too abstract. Poetry should engage the senses, not divorce
us from them. Use imagery; pay attention to the way words sound. And
don't forget the senses of smell, taste, touch--and intuition. Lots
of people write good visual and auditory stuff, but those who can
appeal to all the senses (not necessarily all at once, mind you) are
rare.
And finally, anything that's not original--or worse, plagiarized.
Don't crib ideas, images, phrases, etc., from top-ten songs, movies
of the week, or pulp bestsellers. Good poets grow their own. And besides,
we can't afford the legal expenses that stolen work creates.
Net Author retains the right to select placement and length of display
for any and all works we accept for publication.
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